2021 | 28th Biennial of Illustration Bratislava, Bratislava, Slovakia
2021 | Ilustrofest Illustration Festival, Belgrade, Serbia
2020 | 8th Croatian Biennial of Illustration, Klovićevi dvori Gallery, Zagreb, Croatia
2019 | 50th Golden Pen of Belgrade, 15th International Biennial of Illustration, RTS Gallery, Belgrade, Serbia
2019 | The line is looking at you, Ciril Kosmač Library Gallery Tolmin, Tolmin, Slovenia
2017 | Polyphonic images, Finžgar Gallery, Ljubljana, Slovenia
2017 | Jasnowidze / Clairvoyants 2016, Baltic Sea Cultural Center, Gdansk, Poland
2015 | Dalla foresta, Galleria Ex Asilo Filangieri, Naples, Italy
2015 | Domestications, Riko Debenjak Gallery, Kanal ob Soči, Slovenia
2012 | 10th Slovenian Biennial of Illustration, Cankarjev dom Gallery, Ljubljana, Slovenia
Awards
2010 | The most beautiful Slovenian book for children and youth (Frane Milčinski Ježek, Zgodbe o zamorčku Bambuleju in vrtoglavi žirafi, Sanje publishing house), 26th Slovenian Book Fair
Izbor objavljenih ilustriranih del
2021–2022 | Samanta Kobal, Princesa Mandarinka, illustrations for the story in sequels in Galeb magazine
2021–2022 | Larisa Javernik, Kornelija, illustrations for the story in sequels in Galeb magazine
2021 | Tina Volarič, Nonotov zid, Park Škocjanske jame
2021 | Tina Volarič, Črta, Miš publishing house
2021 | Illustrated covers in the collection Besede brez meja, V. B. Z. publishing house
2020 | Razpotja, nr. 41, Goriška Humanist Association, illustrations for the thematic block of the magazine
2017 | Andrea Pandolfo, Paolo Pandolfo, Michelangelo Rinaldi, Kind of Satie: music around Erik Satie, Glossamusica
2015–2022 | Illustrated covers in collections Previharimo viharje and Naprej!, Sophia publishing house
2014 | Tina Volarič, Krožnice večglasnih tišin, JSKD, Ljubljana (illustrations of the poetry collection)
Druge pomembnejše aktivnosti
2019–2024 | Participating in the research project The Nature and Moral Status of Animals in Antiquity and the Middle Ages under the leadership of the philosopher dr. Miire Tuominen, supported by the Kone Foundation
